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Showing posts with label BlogTour. Show all posts
Showing posts with label BlogTour. Show all posts

Sunday, March 24, 2013

DIFFA DINING BY DESIGN 2013 - ARCHITECTURAL DIGEST SHOW



This year I was excited to be able to go to the Architectural Digest Home show with #BlogTourNYC - Modenus as a BlogTour alum. I saw some wonderful old friends and met some fantastic new designer friends from abroad amid very tasty Marys & Mimosas, a great event hosted by Veronika Miller of Modenus and the AD Home show.



Part of BlogtourNYC was DIFFA’s (Design Industries Foundation Fighting AIDS) Dining by design.. this is the part of the Architectural Digest Home show where amazing talent creates unique dining–scapes that inspire and amaze. A special treat was when Arteriors owner Mark Mousa and famed Interior Designer Barry Dixon gave us a personal tour!  The creativity this year was beyond amazing: jewel tone colors, layers of texture, bold graphics, and hints of old-world craft combined with modern touches....

Sunday, March 17, 2013

BORDBAR: RE-PURPOSED FURNITURE MADE FROM AIRPLANE TROLLEYS


MOD MUST HAVES
pure, novel, stylish
for furniture lovers





These colorfully graphic trolleys really caught my eye at the imm_cologne show! 



Bordbar, a Cologne based company ingeniously transformed authentic PAN AM airplane serving trolleys into unique pieces of furniture for a wide array of functional uses. CEO Valentin Hartmann of Bordbar told me that "we have found new homes for these trolleys."  I love all the possibilities! See only some of them below:

Saturday, March 2, 2013

MIELE AND THE COLOR WHITE


The color White harmonizes and balances space


PHOTOGRAPHY: JON MILLER, HEDRICH BLESSING


One of the most important examples of modernist architecture is the Farnsworth house, designed by architect Mies van der Rohe. It's minimalist white steel framing and clear glass walls celebrate simplicity, transparency and purity of form. The Farnsworth building is the architect's statement about the potential of a building to express "dwelling" in its simplest essence.

The distinguished German appliance company, Miele has employed this respect for pure lines and transparency when developing the new kitchen series Brilliant White Plus. 

Sunday, February 24, 2013

TREND: JEWEL TONES IN DESIGN

Anna Sui - Mercedes Benz Fashion Week Fall 2013

colorful, artsy, chic

Jewel tones (purple, orange, pink, red, etc) was the color scheme of Anna Sui's collection for New York Fashion week Fall 2013. Rich, saturated colors also hit the international trade show imm-cologne in Cologne, Germany. Eye-popping furniture and lighting designs  splashed with intense color made designs dynamic and distinctive. 





Montana is a system that offers a world of possibilities. You have the freedom to create unique and personal storage creations for your home. 42 units, 4 depths, 49 colors and 10 different designs. A whole wall of color, love it! 

Sunday, February 17, 2013

SPOTLIGHT: DU VERRE HARDWARE, CRAFT AND HISTORY INSPIRED


GINA LUBIN OF DU VERRE HARDWARE

Du Verre Hardware, one of Blog Tour Cologne's generous sponsors, is a brand that is known for its sculptural and artistic take on hardware.  Each piece looks a one-off. It's handcrafted appearance is due to its sundry variation in dimension. 



The Rio collection, a distinct interwoven pattern of randomn lines was designed by Gina Lubin, the company’s co-founder, CEO, and creative director. She shares her inspirational story.





Q & A with GINA LUBIN 

INSPIRATION BEHIND THE RIO COLLECTION
Rio is my only collection for Du Verre so far although, in a sense, they are all mine. In the beginning, Du Verre Hardware was sand cast in India. We made all of our first collections there. Working in India was an incredible experience for which I am truly grateful. Everything there is made by hand and the creative imagination runs at full tilt. On one of my last trips, I began to play and sculpt in clay. I was inspired by all the craft and history around me.  

Rio emerged and I liked it. It seemed mysterious and iconic at the same time. A little like Jain temples or Mayan ruins with their ancient symbols and architectural motifs. The intention was to keep its hand made look. It has been very well received. We now produce it in three finishes; Antique Brass, Oil Rubbed Bronze and Satin Nickel.



TEMPLE OF UXMAL, MAYAN ARCHITECTURAL RUIN 


While Rio is my first official collection for Du Verre, I am the invisible hand that assists in bringing all the designs to fruition. We invite designers and friends from the design and craft world to create hardware for us. People whose work we admire.

Their original ideas come to me in many forms. Sometimes the idea is in the conceptual stage, sometimes I get a full blown prototype that needs minimal translation. Collaboration is at the heart of this endeavor and we are fortunate in working with highly professional and talented design professionals. I have known most of my designers for many, many years.





DESIGN MUSES
Design muses are everywhere. Mine are in nature, in art and music

I LOVE WHAT I DO: 
Leading Du Verre has been a dream job. Our business has been an excellent vehicle for exploration, learning and creative expression. My partner and I have been in business together for many years.  We have designed together, traveled together and learned about the world. It is always interesting, always changing. Who could ask for more?



DREAM COLLABORATION
The dream collaboration is the one I have with my partner Gavin McLean.



~

THANK YOU, GINA! 

YOU CAN CONNECT WITH DU VERRE HARDWARE




Tuesday, February 12, 2013

Spotlight interview with Phillipe Grohe on Blog Tour Cologne




Philippe Grohe, Head of Axor and Michele Alfano of Mod Design Guru


AXOR, A BRAND WITH HEAD & HEART

I had the ultimate pleasure to sit down at the imm_cologne show with Philippe Grohe, the head of Hansgrohe's luxury brand, Axor. He was extremely kind and so easy to talk to. By the end, it was clear that he is passionate about his work,  has a respect for nature and the world of tomorrow. His fascination and work with water ultimately is improving our quality of life.  He strives in this complex, modern life to provide a bathroom space where you can experience nature and balance - a sanctuary for us.








Q & A


How would describe the Axor Brand?


I would like to be a global brand offering bathroom solutions for your personal bathroom. We offer the best quality and technological components so that designers, like you who understand are able to make connections - like letters of an alphabet coming together to make sentences and solutions.









What value  do you put on social media and the blogger/brand connection?

Four years ago, we did not know what a Blog was. We took serious steps in the company to change the mindset. We gave a strong impulse on the resource side towards digital media and with a very clear objective we moved our resources from one side to the other. For 10 years, I was looking for a platform of discussions. We thought Facebook was the right place but it was absolutely the wrong place to talk about the Axor approach. We moved to the Blog side and now the Blog is exploding and the right platform. My approach with Axor is not about making a successful product but about a solution to making a successful product. It’s a very different approach from Hansgrohe and a lot of different companies.



Tell me more about making solutions?

A car is a solution in itself. The tap is not a solution in itself. There is always something around the tap. There is a basin, there are tiles. For me, the idea is its approach, it’s a perspective, it's an attitude. We think about water, we think about space and we think about people. We try to see the totality of this in-order to reflect on ideas and what consequences they play on these components. There are very few people that handle everything. We were very lucky to work with Philippe Starck twenty years ago. That’s when we started to understand that an interior designer looks at a product in a very different way than a product designer. I don’t do anything else but then to ask myself how can I continue to use this broad understanding, this holistic new view on things in order to do it different and do it better than other people.





Can you describe your collaboration with Philippe Starck and the Organic line?

It was much more a product discussion then a bathroom discussion at first. We came to him with a special spray where we wanted people to use half but not to have the feeling that nothing was taken away. After the fact, Starck started talked about the "salle d'eau," a bathroom of water. He wanted it to be about wellness, about emotion. It’s not just about cleaning ourselves. It’s about feeling, about living. He thought about this shape and studied the energy of nature, the elegance of nature and about the efficiency of nature with the minimum effort to achieve the maximum of things. Our collaboration was like a ping pong game. At Axor, we like to keep it open. We do not do briefings in the classical way. We always have to know what the market will accept but it will not narrow down our discussion in the beginning anyway.




What do you want your user to feel and experience?

It’s not complicated. I want people to be happy and I think we have enormous potential on the bathroom side because in the daily life of modern people we lose contact with nature. We have so many choices and possibilities in front of us that it tortures us. People are so busy and have moved away from nature. Ninety percent of our brain is animal. There is an unconscious desire, which wants to interact, to understand, to feel things. Living in cities we move so quickly that it is difficult to do so. The bathroom becomes a place of nature in the daily life of modern people. It can do much more than make us clean.





What is the Head & Heart as it relates to Axor's bathrooms?

This is a good question. The Head is the more technical issues, the more intrinsic things that you do not see. The heart would be the feeling of the water. Put your hands under the water. You like the feeling or not. Look at the shape. It will already touch you or not. If I talk about the 3.5 liters per minute, or the 90 nozzles or the hollow casting, I am talking about the Head. The Heart, you have to feel, to experience, to make people understand that it’s more than just a nice design. With Head & Heart, people may understand.


You work with premier designers like Philippe Starck, Patricia Urquiola, Antonio Citterio to name a few. Would you consider working with an up and coming designer?

I say no more way too often. The investment and commitment to working with a new designer is enormous. It takes 3-6 years of collaboration before the first product is coming out. I started working with Philippe Starck, Patricia Urquiola, Antonio Citterio when they were known but not as what they are today. Its true I don't take them when they are inexperienced but its not because they are famous or well known that I work with them. The criteria I look for is first personal, if I like them and they like me. I very much focus on designers who have a broader understanding of things. The Bouroullec brothers are product designers but some of their products have an influence on space. They think like interior designers. I want to have very different people that have different approaches and languages. It's one of my difficult moments or decisions to whom I say Yes. 





Thank you Philippe for an inspiring and meaningful interview!




Photo Credits: Axor







Sunday, February 10, 2013

1882 Ltd. : dialogue between craft and mass production



1882 Ltd- Crockery


At the imm_cologne show I came across 1882 Ltd., a special and innovative ceramic company based in Staffordshire, England.  There I met Emily Johnson, a fifth generation ceramic artist whose family produced ceramics since 1882 in the heart of the Stoke-on-Trent Potteries. As I marveled at the tableware, she passionately described how she challenges the argument between craft and mass production. Her ambition is to revive the pottery business by taking a traditional craft into new fresh, novel forms. 



Emily Johnson with her father Christopher, an expert potter 
(photo credit: 1882 Ltd)



She realized her goal with her collaboration with the talented Max Lamb, a designer from London known for creating beautiful crafted pieces that have materials and traditional processes at their core. 




Crockery by Max Lamb
(photo credit: 1882 Ltd)




Crockery by Max Lamb 



Each bone piece looks like a one-off but is slip-casted, a technique for the mass production of pottery. The interior is glazed making it functional but its raw plaster exterior is what stirs a dialogue and communicates simplicity, one's craft and hand-carved skill. 





Max Lamb 
(photo credit: 1882 Ltd)



I smiled so wide when I saw Max Lamb's Crockery pieces in the exhibition, "Isn't it romantic: Contemporary Design Balancing Between Poetry and Provocation," at the Musuem of Applied Art (MAKK) in Cologne, Germany. On Blog Tour, we had the pleasure to meet the Curator Tugla Beyerle who gave us all a private tour. She explained that there is a revival of the emotional in modern design. New objects in the commercial world of design do have a romantic expression to it, that leave functionalism, that leave perfection and that leave all these things connected to design in a classical way. 



Image of Crockery by Max Lamb at the Makk



One thing I walked away with is a desire towards naturalism and the imperfect. This opposition between the industrial and handcrafts is clear in the work over at 1882 Ltd.

Contact 1882 on FACEBOOK AND TWITTER!
 




Tuesday, February 5, 2013

SEQUIN BUILDING SKIN in COLOGNE

While my time over in Cologne,  an undulation of sparkle caught my eye on one of the buildings in the city. Surprising as a majority of the buildings were built in the Bauhaus style: simple, clean cuts, white walls and no decorative elements.

  
(Bauhaus example in Cologne)

The vigorous shimmer was coming from the façade of a retail store called DOM.  I marveled that the skin of the building was composed of thousands of metal sequins that rippled in the wind.   I absolutely loved it and became obsessed with its sounds and pulsation. 






I had to get a closer look....





The kinetic effect  was dynamic and brought  the façade to life! I took some short movies on my iphone:









The inside was a place to discover too…. a selection of accessories, beauty, music, books, jewelry, gadgets, toys, furniture, home accessories, lighting and more....No pictures was allowed so check out their website.



Sunday, February 3, 2013

Miele, a promise of quality: a dialogue with Dr. Markus Miele







Pioneers in technological design, quality products and family values define Miele, the premium brand in the household appliance industry since 1899.  What started out as a small appliance business at the cusp of the 20th century is now known as a global brand.  Miele’s secret behind its success is its motto “Immer besser.” It means “Forever better.”  At Miele, they believe and rely on research and development to manufacturer durable, eco-friendly and quality products.  The key word is - quality! Everything they produce is built to last for generations, more than 20 years to be exact! 

Being a part of the Modenus BlogTour, I learned that Europeans value the Miele appliance. When people move, they take their Miele products with them. There is an emotional attachment where they love, respect and value their Miele appliances and would never let them go. Very unlike what occurs in the States. We move and leave our appliances behind. This really opened up my eyes. Although the Miele brand is viewed as a luxury in the States, we can’t afford not to buy them as we need to reduce our impact on the environment!! 


 Dr. Markus Miele and Michele Alfano of Mod Design Guru


As a part of BlogTour Cologne, I was honored to have been able to sit down with family owner and Managing Director, Dr. Markus Miele, over Miele coffee of course, to discuss Miele's longevity as a longtime leader in innovation.






"First of all when we look at the market, we look at all of the competitors in the kitchen cabinetry arena and we look at all the different industries and what is happening there: from smart phones to fashion to furniture. We saw that we are absolutely right with the sleek, elegant, minimalist design because this fits our contemporary way of living in the past 20 years. We don't have to look like fashion but we have to look in the modern way and it has to look good after ten to fifteen years out."





He added, "We also questioned where is most of the innovation happening right now? We looked at cars and automobile user-interface. We thought the basic functions of the oven and steam oven were good but the BIG step would be to integrate the user-interface."




"As a personal experience, I have small kids and if they try our old generation ovens, they ignore the knobs and dials and will try to touch the display because they are used to apple products. This is how we thought moving towards user-interface would be the best way to go one step further. We still have a lot of customers that still like knobs and dials and we keep these models but most people today like smart phone interaction."







"Yes, we also looked into what’s happening with furniture and kitchen colors. Still the majority of appliances produced are stainless steel, like 75% but we were seeing the trend for white was coming up a couple of years ago. Especially at EuroCucina, they had a couple of different whites.  We saw the trend of a lighter kitchen, but on the other side, we saw a lot of trends of woods and browns. So we wanted to have one white version and a warm wood version too."







"Oh yes, we are looking at what the consumers are calling, writing and complaining about. We are listening to the consumer, it’s very important and it doesn’t cost us anything. For example, we made a small competition. We placed cameras with film in 200 dishwashers and had people take photos of how they loaded their dishwashers. Cameras were sent back to Miele, and the photos were developed and studied. They received hundreds of photos of loaded dishwashers and you would never think of what people are putting in a dishwasher. Like tools, toys, etc. But the information was invaluable because suddenly they realized that the Chinese rice bowl is very similar to size and shape to the muesli bowl in Switzerland. These are very small things where you can enhance the performance of your dishwasher by what are people putting into them."









"Yes! We are coming from the design side - first as to the preparation of food. How can we help you get the best coffee? -  with more individual settings, with more videos, helping films to tell you how to clean your machine. Also, automatic programming will soon ask the user if you are happy with the end result because the perfect result though is not for everybody. The machine will ask you, are you happy with how your apple pie came out? Is it as brown as you like today?  With sensor controlling different states, we can judge what is inside and what is the state of the food. This will help the user even more. But we have to present in it an easy way so the user is not confronted with too much complexity." 

Amazing right?

Some of their technology is already using user interface and sensors like the impressive built-in Generation 6000 Coffee maker and their new Steam Oven. What is innovative about the Coffee Maker is its  "CupSensor" capability to detect the edge of a cup. It's spout lowers to the optimal position height of the cup, minimizing  milk and coffee splashes. Love it! 





Their Combo steamer also uses the user-interface and has so many different steam heat options. Steam enters into the chamber through 8 inlet ports, cutting cooking time and creating outstanding tasting food and healthy eating. No oils or fats are needed for steamy delicious food. This technology is coming to the US soon!






Dr, Miele ended our conversation with a touching story of a woman who wrote him a letter. She bought a Miele washing machine 38 years ago and it just broke down and she's happy to buy a new one. She said, "I'm not so rich that I can buy any other brand." He was puzzled at first but he realized that she was saying that she got a bargain buying a Miele washing machine. It lasted her 38 years and saved her money. With another brand, she may have to replace it every 5-7 years. Its a great analogy...Miele products, whether for washing, cooking or cleaning are built to last a lifetime and worth the investment! 

Are you ready to invest? Perhaps make an appointment to visit a Miele kitchen gallery and get hands on training from Miele's very own chefs.

Miele is at the forefront of innovation. Soon, Miele kitchen appliances will talk to you and intuitively know the best way to cook your food so it is perfect just for you. Talk about creative Living! 


Follow Miele on their WEBSITE, FACEBOOK and TWITTER.


Thank you Dr. Miele for taking the time! It was an experience of a lifetime to speak with you!




~this post is in collaboration with generous BlogTour Miele~